Important News Concerning Our Milongas, Prácticas, and Classes (Updated 03/14/20)

Tango and coronavirus don’t mix.

Our desire for human contact puts us dancers at a disadvantage when it comes to public health. Friends from all parts of the world are now in tango “blackout” and unfortunately we have decided to join them.

Our community is very diverse. Many people with different workplaces, living situations, and ages make up our local tango family. Some are continuing to travel, and others continue to attend religious services, important gatherings, and work meetings, and will do so as long as Ottawa is not on total lockdown. It seems more appropriate to put tango gatherings on pause so that people can attend to the essential things in their lives.

(Whether tango is an essential thing – that’s a debate for another day!)

This is a decision we have not taken lightly. This impacts us financially, because tango events and classes are a primary source of income, and we carry long-term leases with our various partners throughout the city. But as always at Siempre Tango Ottawa, the safety and enjoyment of our students, teachers, and patrons comes first. It’s people who make our activities successful, and we must respect their concerns and opinions.

Our action plan:

  • We will suspend La Capital and the Sunday Práctica for the rest of March, effective immediately, and then see where we are at the end of the month. We hope to be back at the beginning of April.
  • We will delay the start of Bruno’s guest session, which was supposed to begin March 25. This delay will also apply to our new beginner session of Tango 101.
  • All group classes are suspended until further notice. For those of you who are currently enrolled in classes, you will receive emails specific to your situation.
  • We are still offering private and semi-private lessons. Clearly we have a lot more availability than before! Contact us.

We want everyone attending our events to enjoy their experiences without being pre-occupied with a looming public health crisis. If you have any concerns or questions, please let us know.

Stay healthy, be happy, and keep your eyes open!

So far in 2020: New Classes, New Milonga, Guest Teachers, and More

For me personally, it has been quite the transition. I feel buoyed by the positive words and kindnesses that our students and patrons have given my teammates and me. We knew we wanted to do things differently, and that would involve change. Change can be painful, but it’s really the only way to grow and learn.

At the end of 2019, we sent out a short survey asking people about our events (milongas, prácticas, and guest teachers). What you liked, what you didn’t like.

Not so many people responded, but there was enough data to see certain things popping up over and over again.


People want quality instruction.

We’ll continue shifting our focus to the social dance floor. As more events pop up in Ottawa, and more people take their places in the ronda, it’s apparent that long sequences and big moves will not serve us as a community. Our next round of classes starts Sunday, March 1. You can see a partial schedule here.

Our Tango 101 curriculum has been a success. It’s a real boost to see people happily changing roles and giving each other feedback. We look forward to continuing on this path to creating empowered dancers who can work as a team. Our next beginner session will start on Wednesday, March 25th.

I’m pleased to announce that our friend and one of Ottawa’s most creative dancers, Bruno Alfonso, will be teaching a guest session with Siempre Tango on Wednesdays, starting March 25th. More details to come.


People didn’t like the milonga venue as it was before.

Bate Hall was a beautiful place to have a milonga, but it was difficult to create atmosphere in such a large space. When Vanier Moderns moved in, the ambiance became much cozier. However, the stress of arranging delicate things on all sides was getting to both our friends at VM and us.

To create a better experience, we’re moving our milonga to Westboro Masonic Hall (430 Churchill Avenue). Our first date will be on Tuesday, March 3 at 7:30 PM. To create fresh start, we are retiring the name “La Milonga de Mis Amores” and will be calling our milonga “La Capital” from now on.

The schedule for La Capital will be as follows:

  • 1st and 2nd Tuesdays of the month
  • 3rd and 4th Mondays of the month (and the 5th if there is one in any given month).

It’s not ideal, but Westboro Masonic does its contracts in September. They have so kindly accomodated our mid-year relocation. For the time being, Tiniko and I will not hold a full-blown pre-milonga class per se as we will wait to see how these changes work out!

We are looking for volunteers to help man the entrace, greet visitors, and to be great ambassadors. A milonga can only grow so much if it’s up to just the organisers. If you want to contribute to your tango community, please reach out to us.


People like having a variety of guest teachers.

We’re so happy that Tomás Howlin was able to come visit us in February before leaving for Buenos Aires in March. Looking forward to seeing him again, and more often in Ottawa!

Going forward, we’ve pulled out the stops to bring the best of tango right to your doorstep:

  • Pablo Veron will be giving workshops in Ottawa on March 21-22. He will be giving one all-levels class before Milonga Querida, and two intermediate classes the next afternoon. There is more information to come, but I would suggest looking for partners now. Don’t miss out on the chance to learn from one of the greats.
  • I’m also pleased to announce that Marcelo “El Chino” Gutierrez will be coming to Ottawa for the entire last week of April. He will literally be invading our class schedule, and it will be a great bootcamp for those who are looking for an intensive experience to ground yourself and add a bit of soul to your dancing.

People want to feel welcome and they seek a sense of community.

Here is the Ottawa Tango Community Wishlist for 2020. These are the responses that we received to the last questions of our survey: “What’s your wish for the Ottawa Tango Community in 2020?” I’m sure that many tango communities would have similar wishes for themselves.

In tango, many ignore those they don’t want to dance with. On the flip side, people expect dances from people they have conversations with. Put the two together, and you have a perfect recipe for isolated pods of people sitting around at the milonga. You also have a stage for people to talk about one another (instead of to each other) and for tribalist thinking.

We’re constantly thinking up ways to get people to engage off the dance floor. It’s difficult to treat people poorly when you see them as… people?

That’s why we are excited for our upcoming Road Trip to Montreal on March 6-8. We will be going to see La Juan D’Arienzo Orchestra in action and drop in on the local milongas throughout the weekend. We’ll be updating this event page so that you can tag along!

One of the difficult things to relay to students is the “culture of tango,” where tango is not just a mere activity. It’s easy to teach steps, but it’s another matter to create community, which is something that transcends style vs. style, school vs. school, and us vs. them. This is something that we are still working on.

If this is something you believe in, share this post and talk about it with your friends.

We look forward to seeing how things unfold!

“This curriculum looks great, but I still don’t know what class to take”: A guide to Siempre Tango’s new curriculum

We’ve received a lot of questions from our returning students about the new curriculum, and rightly so.

But let us explain a couple of things:

We needed a clear road map for beginners to go from zero to milonga-ready in a few months. And by mandating that students learn to lead and follow from the beginning, we’re driving home the fact that tango is about teamwork and communication. (If you’re a beginner, jump here for your options.)

For our intermediate/advanced clients, we’re shifting the focus to what feels great for social dancing in close embrace. Class titles will not change (the content will), and they reflect what advanced dancers continue to work on for years:

  • the details of leading and following
  • efficient, tight turns
  • dynamic and challenging moves
  • ways for the dance reflect one’s individuality.

Our hope is that you be able to come into any 300 or 400-level course that works for your schedule, and you’ll learn something new and refine what you have.

We also want to give you convenient chances to refresh your fundamentals or learn the other role. Now’s the time to commit to a Tango 101 or 102 class for free when you sign up for intermediate/advanced classes.

For our returning students, here are some answers to “What class should I take?”

IF YOU TOOK TANGO 3+4 ON SUNDAYS AT 6:00 PM LAST YEAR, YOU SHOULD TAKE:
  • “Tango 301: Deep Leading and Following” on Sundays at 5:30 PM. This class will boost your partner communication, and you’ll increase your enjoyment from improvisation.
  • It’s recommended that you commit to Tango 101 at 6:30 PM for free! You will be learning the opposite role and refining your fundamentals.
  • You could also take Tango 302 on Mondays if you want to progress faster.
IF YOU TOOK “RECHARGE YOUR TANGO” ON MONDAYS AT 6:30 PM LAST YEAR, YOU SHOULD TAKE:
  • “Tango 302: Taking Turns” on Mondays at 6:30 PM. Even if you’ve taken a previous turns class, take this class. Turns always need work, and they are some of the most useful elements for navigation and adding excitement.
  • It’s highly recommended that you add Tango 102 at 7:45 PM for free! Work on close embrace and refresh your dance.
  • You could also take Tango 301 on Sundays.
IF YOU TOOK TANGO 1 ON MONDAYS AT 8:00 PM LAST FALL, YOU SHOULD TAKE:
  • “Tango 102: Intro to Close Embrace.” You cover the embrace, ochos, navigation, and musicality for the first time. This class will also cover some new linear moves, depending on how the class progresses.
  • It’s highly recommended that you take “Tango 201: The Well-Rounded Dancer” before the milonga – and then stay for the milonga  This class will help you make the jump from class to the milonga!
IF YOU TOOK CLASS ON TUESDAYS WITH FRANCIS AND BRIGITTE, YOU SHOULD TAKE:
  • “Tango 201: The Well-Rounded Dancer.” We’ll be diving deep into the details and emphasizing sensitivity and moving with pleasure.
  • “Tango 402: Classic Elements.” This will be the class where we explore more complex movements! This session will be about ganchos. Seriously!
IF YOU TOOK “ADVANCED CLASSICS” ON WEDNESDAYS AT 7 PM, YOU SHOULD TAKE:
  • “Tango 402: Classic Elements” on Wednesdays at 7 PM. Ganchos are fun, especially if they are geared towards the line of dance.
  • “Tango 302: Taking Turns” on Mondays at 6:30 PM. This will prepare you for more advanced classes about turns.
  • Intermediate/Advanced dancers are welcome to sign up for any Tango 100 class for free. You’ll be learning the other role and working on your fundamentals.
  • There are a surprising number of advanced dancers who aren’t coming to the milonga. “Tango 201: The Well-Rounded Dancer” before the milonga can help you!
IF YOU TOOK “MILONGA” ON WEDNESDAYS AT 8 PM, PLEASE:
  • continue with “Tango 305: Milonga” on Wednesdays at 8:15 PM. We’ll be moving fast and having a lot of fun!
IF YOU TOOK CLASS ON THURSDAYS AT 6:30 PM, YOU SHOULD:
  • continue with Tango 103 at 7:15 PM. As you’ll be integrated into the new curriculum, we’ll be working with everyone to get them caught up.
  • Those who were in Tango 2 will take their first steps in close embrace and will work on greater fluency. You are highly encouraged to come early for Tango 101 at 6:15 PM, so you can learn the other role! For free!
  • Those who were in Tango 1 will learn some new figures. Tango 103 represents a bit of a jump for you, so be prepared to practice and have fun challenges! You are also welcome to re-take Tango 101 for free, especially if you haven’t practiced over the break.
IF YOU TOOK MUSICALITY ON MONDAY NIGHTS OR MULTIPLE GUEST WORKSHOPS LAST YEAR:
  • “Tango 202: Ignite Your Dance / Delight Your Partner” is for you. There were a lot of technique workshops last year, so we need a time to sift through what we’ve learned and see how it works practically for each person’s dance.
  • We’re looking for a time to put Tango 202. It’s possible that we will do some weekend seminars once a month or put it on Wednesday night. Let us know what you’d like to do.
If you are a beginner, you have two options:
  • Tango 101 on Sundays at 6:30 PM includes the Sunday Práctica. That means you can apply what you’ve learned right away and get some extra help from your teachers.
  • Tango 101 on Thursdays at 7:15 PM: If you want to challenge yourself or if you’ve taken dance classes before, you can stay for Tango 103 after your Tango 101 class. The only thing is you must find a partner and stick with that partner throughout the course.

If you have any questions, please don’t hesitate to contact us!

If you’re ready to register, please do so here.

Year in Review: 2019 was a year of ups and… well, ups

When you evaluate every little thing you do as it happens (whether it’s during the year, or – let’s go for the tango wisdom – during a song that you’re dancing), it’s easy to focus on mistakes or things you could have done better.

But when you look back on everything, it’s easier to see what you did right.

For the Siempre Tango Team, it was a tumultuous year, but we have a lot to be happy about.

January

2019 started out with a bang.

Nearly 60 people showed up to one of our free beginner classes during the first week of January. It was bonkers and a fabulous experience and it led to one of our biggest Tango 1 cohorts ever.

February

The Love Shack Milonga, after being delayed a week by an epic snowstorm, took place relatively close to Valentine’s Day.

We don’t often get a chance to be goofy in tango, so some of us took full advantage of the opportunity.

We also had our first Queer Tango bootcamp, as part of the Winter Pride program! Thank you to Viva from Queer Tango Montreal for coming out to see us.

March

We were able to welcome renowned teacher and tango writer Veronica Toumanova for the first time to Ottawa.

The response was fantastic, and she enjoyed her time teaching an large, enthusiastic group of followers. Special thanks to Leanna for hosting Veronica.

April

We were pleased to bring another pair of artists to Ottawa for the first time: Alberto Ramos and Micaela Barrett of the Cleveland Tango School. They brought with them their mix of youthful panache and deep respect for the old ways of tango. There were lot of new ideas to play around with!

This time Robert served as the host – thank you.

May

A quiet summer session with some interesting seminars on Boleos and Wraps.

This was the first sprout for our new “Tango 402: Classic Elements” course. It makes more sense to tackle more difficult elements one at a time.

June

As dancers who spend most of the time improvising in crowded rooms, performances are a challenge. But thank you to Rahim for giving us two opportunities to perform this year: once at his popular Friday social and again at June’s Salsapalooza.

Later in June, we announced that the Spring 2019 session would be Mary-Ellen’s last with Siempre Tango. We were able to celebrate and thank her at this year’s Red and White Milonga.

We’re pleased to say that she still comes out to the Tuesday milongas.

July

Melina Mistral is already a friend to many in the Ottawa community, and we were pleased to welcome her for her first official visit. We look forward to developing our friendship with this dynamic and well-traveled teacher!

August

Last summer, our beloved Bate Hall was unavailble, but no matter: it was a chance to bring tango out of a private setting and to the people. There were a lot people looking at us through the windows, and we do hope their curiosity leads them to tango at some point.

We danced sometimes at Bistro Alégria on the Gatineau side. Thank you to Alex for having us!
On some Tuesdays we danced at Alpha Art Gallery in the Byward Market. Thank you to our good friends at Alpha, Dominik and Edith Sokolowski.

September

Our first try at a Saturday milonga, Milonga Sin Nombre, was an groovy experiment that we’ll revisit again. A cool club feeling, underground (but upstairs), with drinks.

We made a great addition to our team: at the beginning of the Fall 2019 session, Isabelle joined the teaching team and taught her first classes with Robert.

Later on that month, Francis and brigitte made their announcement that they would be moving to Montreal.

It was a poignant announcement, and a reminder to 1) thank your tango teachers, past and present, every chance you get and 2) value every dance you have with your friends.

But this announcement didn’t spell the end for Siempre Tango. Far from it.

October

As the Fall Session continued, Karina Colmeiro came back to Ottawa for her first teaching visit since 2013, bringing her technical precision and a wonderful DJ set at her welcome milonga on Saturday night.

November

The Goodbye Milonga for Francis and brigitte was a night that the Ottawa tango community will remember for a very long time.

There was a lot of love in that room – and nearly 130 people. It served as the best evidence that building a tango community takes:

  • a lot of time,
  • consistency,
  • and love.

December

Tomás Howlin came for his annual holiday visit, and it was wonderful. As usual! (A big thank you to Elizabeth Loan for her help in hosting Tomás.)

Another highlight: During the first evening edition of Milonga Querida (thank you, Tiniko!), Robert and Isabelle performed for the first time as Siempre teachers.

The Reindeer Romp was an intimate affair, but in terms of gathering cold-weather essentials for homeless youth, it was a success. It felt great to fill Mary Ellen’s car full of donations for Operation Come Home.

By December we were down to 4 teachers on our team…

(So before you get too excited about an unknown leader in the Ottawa community, that’s Sean. We keep meeting at the same restaurant, and we always sit in his section. He’s basically part of the team.)

But luckily for us, Tiniko joined our teaching team and brought a vital presence and new perspectives!

What’s next?

  • After deciding what Siempre Tango’s guiding values are, we hope they’ll provide coherence to everything we say and do.
  • We’ll focus on giving students the skills they need to enjoy their tandas to the fullest. To that end, we created a new curriculum. Check out our Winter 2020 Schedule and use our new online registration form.
  • We’ve renewed our commitment to nuturing the Ottawa Tango community. This means resisting short-term thinking, and empowering dancers to speak out and contribute. (Want to have your say? Fill out our survey, and we will share what we’ve learned.)
  • We’re looking forward to our first Tuesday Milonga on January 7th at 7:30 PM.

See you all on the dance floor in 2020!

Are you ready to attend the milonga? The answer might surprise you.

(This post is purely my opinion, and I speak only for myself.)

Last weekend during a quick stop in Montreal, I danced with a leader who’d been taking classes for about seven months.

(Sometimes, I like to boost the “tango karma”!)

Earlier that day, I’d seen him at the same studio buying a tango dress for his girlfriend; walking out, she looked happy, and he looked stoked that he’d gotten her something that she clearly liked. Later at the milonga, he’d tried cabeceo-ing me, but he was too close, so I looked away. I waited until the music was not-so-demanding and the floor was emptier. I cabeceo’d him from a good distance; he tip-toed his way towards my seat in case he’d gotten it wrong!

The tanda was pleasant. Really. He was a little self-deprecating about his skills, but not so much that it defined him. Between songs, we chatted about his visit to Montreal and where he was from. While dancing, he paused a lot, he walked a lot, and his embrace was decent. He showed that he was enjoying his time with me.

It probably helps that his girlfriend is a more experienced dancer. He’s been well-taught about how to be at the milonga.

He could walk and lead some ochos and the cross, and he was only ok when it came to finding the beat. But he was more “milonga-ready” than some dancers I know who’ve been learning for longer and have more moves.


There’s some debate over how many classes a student should take before going to their first milonga. Everyone is different.

I made fast friends with my first tango teacher, and after 2 months of class and practice, he took me to my first milonga: the Saturday night milonga at a festival. It wasn’t scary because I was with my friend, who’d started teaching at my university simply to “grow” dancers he could go to milongas and prácticas with (my school was about 2 hours away from the nearest tango community, and gas was expensive for students on a budget). I think he taught me what I needed to enjoy the milonga on my own, so he didn’t have to baby-sit me.

I wouldn’t say a student knows enough after three or four classes to keep themselves and their partners safe in the line of dance. But I also couldn’t say, “You need x amount of classes,” either. I definitely wouldn’t discourage a student from going to a milonga if their curiosity pushes them. It’s that curiosity that drives people to explore and eventually fall in love with social tango.


I think the answer to “Is so-and-so ready to attend milongas?” is more about attitude than actual skill.

You might be ready for the milonga if you know the basics of milonga etiquette and if at least two of the following apply to you:

  • You have an curious, open, and positive approach towards your skills and those of other dancers.
  • You’re ok to sit and chat or enjoy the music, and watch others dance.
  • You enjoy regular practice outside of class, whether it’s alone or with a partner (be honest re: the words ENJOY and REGULAR).
  • You see the milonga as a place to take pleasure in what you have learned, rather than a place to show what you have learned. (As I write that last one, I know I’ve gone unexpectely into the deep end!)

If a milonga is a tango dance party, you’ll at least enjoy the “party” aspect, regardless of what happens on the dance floor. You’re more likely to come back for more and allow your community to get to know you. You’ll be relaxed in the embrace, and whether more experienced dancers enjoy dancing with you will be up to them.

If a few of the following feel familiar:

  • You think that you’re a terrible burden to dance with because you’re a beginner, and are super self-critical.
  • You don’t like to practice; you just want to dance.
  • You need your teachers or advanced dancers to dance with you so that you can have fun.
  • People keep telling you to relax your arms or that your embrace feels hard or that (god forbid) your embrace hurts them.
  • You believe that the number of tandas danced is positively correlated to success (or believe there is such a thing as “success” at the milonga, for that matter).

You might not be ready to go to the milonga. Tension (mental or physical) can create unpleasant experiences for both you and your partner.

That’s not to say that you can’t go to the milonga if these thoughts pop into your head or if your embrace is a work in progress; if that were the case, milongas would be empty! Most tango dancers have struggled with these negative issues, and continue to do so. Fortunately, these attitudes can be unlearned with experience and by acknowledging that learning to move well isn’t a fast or quick pursuit.

(One side effect of having a good attitude is that it’ll change your approach to your classes. You won’t be so hyperfocused on achievement and you’ll try things and take risks. You’ll take responsibility for your enjoyment and learning, rather than depending on teachers to “download” their knowledge into your brain.)

To beginners: Only you can decide when you are ready to attend a milonga. But I wouldn’t leave it too long and let your first milonga become this “big deal” that you have to be prepared for. It’s just a social gathering with dancing in middle!


Let’s be honest: a small tango community needs you as much as you need them. Approaching the milonga with a good attitude can innoculate you from behaving in ways that turn other dancers off.

In the past year, I’ve seen and heard the following at milongas:

  • A leader shaming a beginning follower’s skill level, saying, “You’re not very good. All I can lead you is box steps for the rest of the tanda.”
  • After one song, a follower who’s not been dancing for very long saying, “I. Simply. Cannot. Understand. What. You. Are. Trying. To. Lead. Me,” to an intermediate leader, as if he were a complete dum-dum.
  • A follower describing in minute detail an “amazing” tanda she’d had at the milonga the night before with someone else, while I was leading her at a milonga. (The fact that I didn’t have her full attention as we were dancing bothered me.)
  • A leader saying to someone, “Do you want me to sit in your lap? Get out of my seat,” at a milonga without assigned seating.

These are isolated incidents. I just put them up as examples of how attitude can affect people’s experience at the milonga. For myself, I would decline to dance with people who behave this way, and it has nothing to do with their steps or technique.


Why the long-ass blog post?

We’re getting ready to have another Milonga Primera (“first milonga”) for our beginner students. The evening includes a Q&A about milonga etiquette and then dancing, with teachers to guide them. It’s a way to celebrate the hard work of our beginner students, and it’s the event that I wished I could’ve attended when I was just starting out.

Ottawa dancers: You can find details here.

But even if your school or community doesn’t offer a beginner-friendly event, don’t despair.

Start going to prácticas to get used to how the dance floor flows. Talk to people in your class and arrange to go to prácticas as a group so you at least have people to sit with and dance with. Be sure to ask your teachers for help, too – that’s what the práctica is for!

When you do decide to go to milongas, dive into the social side of it. If milongas are about dancing with your friends, you have to make friends first. Sit with different people and ask questions, or park yourself next to the water or snack table and say “Hi.” There’s usually one or two curious people who will come up to you simply because they haven’t seen you before. Be nice – because hopefully you will be socializing with this group of people for years to come – and be open to the unexpected.

For the most part, tango dancers look out for each other – so let your new friends help you enjoy!

Where are tango dancers supposed to get tango shoes in Ottawa?

Most of this information pertains to women’s shoes, but all of these vendors sell shoes for men as well.

So you’re ready to invest in a pair of Argentine tango shoes. In this post, we’ll give you some tips for choosing your first pair and some links to local(ish) retailers.

For all of our students:

To protect the floor at each of our venues, we require our students to wear “indoor shoes,” meaning that they aren’t ever used for outdoor wear.

For women:

When you first start tango, we simply advise you to wear shoes that strap securely to your feet, have non-marking soles, and are easy to pivot in.

Wear the heel height that is comfortable for you. You don’t have to wear 9 cm heels to be a “real” tango dancer. As you progress in your dance, you can wear higher heels.

(Or not! At Siempre Tango Ottawa, we don’t have a problem with women wearing flats for practice or even to dance socially. Others may think differently, but the priority is taking care of your feet for a long dancing life.)

If you find a pair of ballroom or salsa shoes that works for you, stay with those. However, shoes made specifically for tango shoes are different:

  • The metal shank in between the insole and the outsole is shorter than that for ballroom shoes to provide flexibility.
  • The padding on top of the insole tends to be thicker.
  • Stabilility in tango shoes comes from attaching the insole, outsole, and heel with both glue and nails throughout.
  • Tango shoes are built to be balanced, meaning that if you stand them up alone on a surface, they shouldn’t tip over or list to one side.

Investing in quality tango shoes means that they are more stable and less likely to pinch you. They should fit you well right out of the box; most of the time, having to “break in” dance shoes means that they didn’t suit you in the first place.

For men:

When you first start learning tango, you won’t need to pivot so much, so shoe choice is less of an issue. However, as you continue your tango journey, you will actually need to pivot to lead turns and to do more interesting moves.

If you need to force a pivot, save your knees and invest in dance shoes!

Where to buy shoes:

Practice flats and men’s shoes

I like to support local businesses, so you can find jazz shoes, ballet flats, dance sneakers, and men’s dance shoes at Brio or Malabar.

(Got another dance shoe store in Ottawa that you like? Share in the comments, please!)

High heels and custom shoes for men and women

There is no dedicated tango shoe seller in Ottawa for now. For the most part, we turn to our friends in Montreal to buy new shoes. The vendors that we mention below sell men’s and women’s shoes.

(While it is possible to order shoes from most brands online, we suggest that you try shoes on in person, at least at first, particularly if you have a differently-shaped foot. Which is, to be honest, everyone!)

Many of our teachers wear the brand Turqouise.Our friend Elda has a shopfront in Montreal at Montango on Sundays. If she doesn’t have something, and you see it on the website, order through her for the best price / shipping. You can reliably reach her on Facebook.

Our friends at Stella Mary Creations also often come to Ottawa to sell D’Raso shoes. Stella sets up shop at Tango Social Club in Montreal on most Saturday nights. You can make a custom order also and contact her on Facebook to make a request.

Line Desrosiers is another shoe seller in Montreal. Her shop is called Tango Sublime. She sells Italian brands like Tangolera (known for the extra padding in the sole), Madame Pivot, and Regina. She is also on Facebook.

We’ve seen advertisements for KN DanceShop in Gatineau. They specialise in Paoul brand shoes. If you’ve given them a try, please feel free to comment.

We hope you find this information useful!

UPDATED Aug. 14: Our Tuesday Milonga is on the Road this Summer!

Because our fave venue at allsaints Event Space is being used as a film location for several weeks, the Tuesday Milonga is following a modified schedule.

July 16 and 30, and August 27:

We will be hosting a fun, intimate milonga at Bistro Alégria on:

July 16 (6:30 – 10:30 PM)
and
July 30 (doors open at 6:30 PM, music goes from 7 – 11 PM)
and
August 27 (doors open at 6:30 PM, music goes from 7 – 11 PM)

Parking: At 15 Leduc Street behind Bistro Alégria. Free after 5:00 PM Monday to Friday and all day Saturday and Sunday.

There will be tapas for sale, and the bar is open. Come dance with us after work in Gatineau this month!

July 23:

We are offering a special workshop on Back Sacadas:

When: 7:00 – 8:15 PM
Where: 235 Montreal Road
How much: $25 per person

Space for 3 to 4 couples max. Please contact Francis to reserve your spot soon.

August 6, 13, and 20:

It’s time to bring tango back to the Byward Market. We’ll be at Alpha Art Gallery (531 Sussex Drive), from 7:30 to 11:00 PM. Cover is $10 / $8 for full-time university students.

Special Request

Please enter Alpha through the rear entrance, which you can access by taking Clarendon Lane and passing through the courtyard shared by different restaurants. You will see a sitting area where you can change your shoes and place your bags.

UPDATED: Our Sunday Práctica is moving temporarily this July and August.

Bate Hall will be used for a filming project this summer, so we have found an alternative venues for some upcoming prácticas.

Come experience one of our favourite floors in the city at the Ottawa Dance Directive’s Studio B (2 Daly Avenue). The práctica is at its usual time, from 7:00 – 9:30 PM.

(This venue change also applies to the Tango 3 class that precedes the práctica at 6:00 PM.)

  • July 21 – Guided práctica
  • July 28 – Goodbye practilonga for Melina Mistral
  • August 4 – Guided práctica
  • August 11 – Guided práctica
  • August 18 – Guided práctica
  • August 25 – Guided práctica

Directions to the room

To reach Studio B, enter Arts Court from the main Daly Ave. entrance and turn left after the reception desk. Pass through the double doors.

  • You can take Elevator A to the 2nd floor. Look for signs for ODD (Ottawa Dance Directive). Turn left getting off the elevator.
  • You can walk through the door labeled “EXIT” and enter the stairwell through the door marked D. Go all the way up to “2nd Floor A” and you will see the ODD to your right.
  • Don’t worry: we will have signs everywhere directing you!

Parking suggestions

You can use paid parking at Rideau Centre or the Novotel, but it’s we suggest taking advantage of free weekend street parking east of Arts Court and around Byward Market. Try Nicholas, Daly, Cumberland, Wilbrod, Dalhousie, Besserer, and Stewart. (Use Parkopedia and enter the date and time window to find options.)

Also, free parking at City Hall is a 10-minute walk away.

We look forward to seeing you at the Práctica!

Here’s to Mary Ellen!

The team at Siempre Tango would like to celebrate one of our own: Mary Ellen Hurd. She has decided to hang up her Argentine tango teaching shoes following the Spring 2019 Session.

We have been unimaginably lucky and grateful to have had such dedicated and talented teacher working with us for 19 of our 21 years of operation.

Please join us at the Red and White Milonga on June 30th as we say “Thank you” to this wonderful teacher. If you’ve taken classes with her in the past, or if you haven’t come to see us for a while, be sure to attend!

If it sounds like this is a send-off, not to worry: Mary Ellen has way too many pairs of tango shoes to show off so she will definitely continue to grace the dance floor as only she can! We look forward to her honoring us with that mischievous smile which never fails to light up a whole room and the sunshine that always she seems to trail behind her!

We’re having a Special Milonga on Tuesday, February 19.

*** Edit: Because of the February 12 snowstorm, we postponed this event until February 19th. Sorry for any inconvenience! ***

  • We’ll start at 8:30 PM.
  • Light finger foods and chocolate treats will be provided.
  • There will be a cash bar.
  • Dress code (optional): Bright colours, funky / retro style, big hair. (Watch this for inspiration.)
  • There will be a prize given for “Best Cortina Dancing.” Get your non-tango moves ready!
  • Cover: $15 in advance until Feb. 10. $20 at the door.

See you on the dance floor!